青年(nián )画家岸(à(💐)n )春自小(🚾)(xiǎo )在(🎯)内蒙古长大，当地的风土(🔻)人情(👡)(qíng )造就(📰)了(le )他的艺(yì )术才(🥓)华。然而(🐈)在他(🍑)的内心一直有(yǒu )着一块(🏌)(kuài )难(🍈)以抚(fǔ(🖼) )平的伤(shāng )痕，过早(🥪)缺失的(♑)母爱(🎙)让这(zhè )位人前(qián )光鲜的(🅾)(de )艺术家(jiā )在(🖨)情感里陷入迷失，常以(yǐ(🦓) )酒精(📬)为(wéi )伴麻醉(zuì )自我。当受(🤩)一位蒙古老(🕜)人所托，为他英(yīng )年早逝(🚌)(shì )的(🦆)母亲(qī(🔐)n )画一幅肖像，这个(🎓)母亲的(🥝)肖像(📜)却(què )怎么都(dōu )画不出(chū(🍜) )神。对(🎄)于母爱(🥋)缺少感触与理解(🍚)，成了他(👣)(tā )无(😷)法落(luò )笔的难题。心烦意(🔩)乱之(🚡)时，岸春(🦔)(chūn )遇到了(le )单身妈(🙉)(mā )妈如(🔕)西(xī(📪) )，如西和儿子的温情不仅(💯)(jǐn )让他感(gǎ(🛣)n )受到母(mǔ )爱的温(wēn )暖也(🕔)让他(🐫)找寻到了爱情的(de )味道。但(💧)是，母亲到(dà(🆒)o )底为什么会从小抛弃自(✅)己(jǐ(🕓) )，在日(rì(🌴) )日夜夜(yè )的叩问(🐽)(wèn )中，也(🥇)在如(🚝)西的介入下，似乎有(yǒu )了(📵)意想(⛄)(xiǎng )不到(💭)的(de )答案，岸春也踏(🌵)上寻母(🐍)之路(🍚)。母(mǔ )亲的肖(xiāo )像到底(dǐ(🆙) )能否(🍷)兑现给(🤔)蒙古老人的期盼(😽)？岁(suì(🐋) )月里(🚮)母(mǔ )爱的真(zhēn )相会怎(zě(🔛)n )样揭开？原(🛒)来，岸春的母(mǔ )亲一直(zhí(🖌) )以一(💹)个(gè )特殊的(de )身份出现在(🚽)他的生活里(🧀)！面对时(shí )间、面(miàn )对生(😋)命(mì(🎩)ng )的脆弱(🔭)多变，只想向岁月(🍬)(yuè )祈求(🎶)，时光(🚁)你(nǐ )慢些走(zǒu )，让儿子还(💵)能记(🌹)下母亲(🛸)的容颜......

In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’d heeded the warnings and never knocked…

三个(🗒)(gè )怀揣(🏧)梦(mè(🚻)ng )想的年轻人想通过从缅(🔹)甸走(🐝)私黄(huá(👴)ng )金来发(fā )家致富(❌)(fù )。但等(🏔)待他(✋)们的除了金钱与爱情(qí(🛷)ng )还有危(wēi )机(🕹)重重(chóng )的陷阱(jǐ(💭)ng )。

Varun and Bhanu, both from different worlds, face challenges in their relationship.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

宇宙犯(🤫)罪者(🕟)ベムルとその一味(wèi )を(🌆)追って地球(⬅)(qiú )にやってきた宇宙の(👄)警察(🍔)(chá )と呼(😁)ばれるスパンデ(📻)クサー(🐫)の一(⚽)人スパンデクサーＡは(🏿)、ベ(✋)ムルた(🥓)ちに襲われてい(💴)た地球(🥍)の捜(🤑)査官(guān )・目白(bái )を助け(🏇)るが(🎪)、その(💅)ためにベムルた(🐜)ちを逃(👽)がし(🔇)てしまう。目白の協力の(🚩)もと、地球(🕰)に残ってベムル(🎃)を倒そ(📏)うと(🖤)するスパンデクサーＡ(🔎)の前(qián )に、(🧓)宇(yǔ )宙の犯(fàn )罪者たち(💂)がス(🔭)パンデ(🏍)クサーたちを倒(🖋)すため(⛹)に作(🚫)った人工生命体ゾーラ(🎊)が現(🥊)れる。ス(🔺)パンデクサーの(🎲)弱点の(👹)物質(🖖)で作られたゾーラに敗(📶)北(bě(😑)i )したス(🎀)パンデクサーＡ(🎫)は、ゾ(🖥)ーラ(⬆)に拉(lā )致され壮絶な拷(🐿)問を受ける(🚌)。そして残(cán )虐な(🔲)性(xìng )格(🧀)のゾ(🎲)ーラは、目白を捕らえ(😗)て、家族(zú(🙍) )に危害(hài )を加えられた(🥊)くな(🐐)ければ(😤)スパンデクサー(🌲)Ａをそ(⛳)の手(🥄)(shǒu )で殺すように命令す(🐄)るの(🕒)だった(🏥)。